9. Works Cited

Note: This page contains an incomplete bibliography. Ideally we will be able to link from other pages to an anchor at the appropriate citation in this list.

 

Adamson, Walter L. “Futurism, Mass Culture, and Woman: The Reshaping of Artistic Vocation, 1909-1920.” Modernism/Modernity. Vol. 4, No. 1 (Jan. 1997). 89-114.

Burke, Carolyn. Becoming Modern: The Life of Mina Loy. New York: Farrar, Straus and Giroux, 1996.

Burstein, Jessica. Cold Modernism: Literature, Fashion, Art. University Park, PA: Pennsylvania State University Press, 2012.

Churchill, Suzanne W. “The Lying Game: Others and the Great Spectric Hoax of 1917.” in Little Magazines and Modernism: new approaches. Eds. Suzanne Churchill and Adam McKible. Burlington, VT: Ashgate Publishing 2007.

Craig, Gordon. “On Futurismo and the Theatre: Some Notes.” The Mask 6:3 (Jan. 1914). 194-200.

Deutsch, Helen, and Stella Hanau. The Provincetown: A Story of the Theatre. New York: Farrar & Rinehart, Inc., 1931.

Dunn, Susan E. “Mina Loy, Fashion, and the Avant-Garde.” Mina Loy: Woman and Poet. 443-456.

Feinstein,  Amy. “Goy Interrupted: Mina Loy’s Unfinished Novel and Mongrel Jewish Fiction,” Modern Fiction Studies 51.2 (2005): 335-353.

Frost, Elisabeth. The Feminist Avant-Garde in American Poetry. Iowa City, University of Iowa Press, 2003.

Frye, Northrop. Anatomy of Criticism: Four Essays. Princeton, NJ: Princeton UP, 1957. 90.

Gilmore, Susan. “Imna, Ova, Mongrel, Spy: Anagram and Imposture in the Work of Mina Loy.” Mina Loy: Woman and Poet. Eds. Maeera Shreiber and Keith Tuma. Orono, ME: The National Poetry Foundation, 1998. 271-318.

Hayden, Sarah. Curious Disciplines: Mina Loy and Avant-Garde Artisthood. Albuquerque, NM: University of New Mexico Press, 2018.

Hyussen, Andreas. After the Great Divide: Modernism, Mass Culture, Postmodernism. Bloomington and Indianapolis: Indiana UP, 1986.

Katz, M. Barry. “The Women of Futurism.” Woman’s Art Journal. Vol. 7, No. 2 (Autumn, 1986 – Winter, 1987). 3-13.

Kremborg, Alfred. Troubadour: An American Autobiography. New York: Sagamore Press, 1957.

Loy, Mina. The Lost Lunar Baedeker: Poems. Ed. Roger L. Conover. New York: Farrar Straus Giroux, 1996.

_________. Stories and Essays of Mina Loy. Ed. Sara Crangle. Champaign, Dublin, London: Dalkey Archive Press, 2011.

Lusty, Natalya. “Sexing the Manifesto: Mina Loy, Feminism and Futurism. Women: A cultural review. Vol. 19, No. 3 (2008). 245-260.

Lyon, Janet. “Mina Loy’s Pregnant Pauses: The Spaces of Possibility in the Florence Writings.” Mina Loy: Woman and Poet. 379-402.

Miller, Cristanne. Cultures of Modernism: Marianne Moore, Mina Loy, and Else Lasker-Schuler. Ann Arbor: The University of Michigan Press, 2005.

“Mina Loy Chronology.” The Salt Companion to Mina Loy. Eds. Rachel Potter and Suzanne Hobson. London: Salt Publishing, 2010. 12-15.

Mina Loy: Woman and Poet. Eds. Maeera Shreiber and Keith Tuma. Orono, ME: National Poetry Foundation, 1992.

Poggi, Christine. “’Folla/Follia’: Futurism and the Crowd.” Critical Inquiry. Vol. 28, No. 3 (Spring 2002). 709-748.

Re, Lucia. “Mina Loy and the Quest for a Futurist Feminist Woman.” The European Legacy. Vol. 14, No. 7 (2009). 799-819.

The Salt Companion to Mina Loy. Eds. Rachel Potter and Suzanne Hobson. Cambridge, England: Salt Publishing, 2010.

Scarry, Siobhan. “Introduction.” MSA 2010. Poets Theatre Production: The Pamperers. Open Space Gallery, Victoria, B. C.. Nov. 12, 2010.

Schmid, Julie. “Mina Loy’s Futurist Theatre.” Performing Arts Journal. Vol. 18, No. 1 (Jan. 1996). 1-7.

Scuriatta, Laura. “Bodies of Discomfort: Mina Loy, the Futurists and Feminism in Italy between the Wars.” Women in Europe Between the Wars: Power, Culture and Society. Eds. Angela Kershaw and Angela Kimyongur. Abington, Eng.: Ashgate Publishing, 2007. 131-141.

“Time-Table.” Mina Loy. The Last Lunar Baedeker. Ed. Roger L. Conover. Highlands, NC: The Jargon Society, 1982. lxiii-lxxix.

Yorick [P. Ferrigni]. “A History of Puppets.” The Mask 6:1 (July 1913). 27-29.