4. Works Cited “Surrealism on the Move, New York 1937-1953”

Affron, Matthew and Sylvie Ramond. Joseph Cornell and Surrealism. Charlottesville: The Fralin Museum of Art at the University of VA, 2015.

Archer-Shaw, Petrine. Negrophilia: Avant-Garde Paris and Black Culture in the 1920s. NY: Thames & Hudson, 2000.

Armstrong, Tim. “Loy and Cornell: Christian Science and the Destruction of the World.” Hobson, Suzanne, and Potter, Rachel, eds. The Salt Companion to Mina Loy. London: Salt Publishing, 2010. 204-220.

Barr, Alfred H., Jr. Fantastic Art, Dada, Surrealism. NY: Museum of Modern Art, 1936.

Benjamin, Walter. Reflections: Essays, Aphorisms, Autobiographical Writings. Ed. Peter Demetz. Trans. Edmund Jephcott. New York: Schocken Books, 1978.

—. The Arcades Project. Trans. Howard Eiland and Kevin McLaughlin. Cambridge and London: Belknap Press of Harvard UP, 1999.

Bishop, Elizabeth. Poems, Prose, and Letters. Eds. Robert Giroux and Lloyd Schwartz. New York: Library of America, 2008.

Burke, Carolyn. Becoming Modern: The Life of Mina Loy. Berkeley: UCA Press, 1997.

—. “Loy-alism.” In Schaffner, Ingrid and Lisa Jacobs, eds. Julien Levy: Portrait of an Art Gallery. Cambridge: MIT Press, 1998. 60-79.

Cocteau, Jean. “The Laic Mystery: An Essay in Indirect Criticism.” Trans. O.E. Rudge. Pagany 3.1 (Jan-March 1932).

Conover, Roger. “Introduction,” The Last Lunar Baedeker. ed. Roger L. Conover. Highlands, NC: The Jargon Society, 1982. “Introduction,” “Editor’s Notes,” The Lost Lunar Baedeker. ed. Roger L. Conover. NY: Farrar, Straus, Giroux, 1996.

Cornell, Joseph and Rudy Burkhardt. The Aviary. 1954-5. 16mm film, 11 minutes, black and white, silent.

—. Nymphlight. 1957. 16mm film, 7 minutes, color, silent.

Cornell, Joseph. Joseph Cornell papers, 1804-1986, bulk 1939-1972. Archives of American Art, Smithsonian Institution.

Crangle, Sara. “Introduction.” Stories and Essays of Mina Loy. ed. Sara Crangle. Champaign, Dublin, London: Dalkey Archive Press, 2011. vii-xxiv.

Dunn, Susan. “Fashion Victims: Mina Loy’s Travesties” Stanford Humanities Review 1.1 (1999). n.pag. Web. https://web.stanford.edu/group/SHR/7-1/html/dunn.html

Egan, Deirdre. “Mina Loy’s Modern Long Poem: New York and the Compensations of Poverty.” Literature Compass 6.5 (September 2009): 968-988.

Elkins, Amy. “From the Gutter to the Gallery: Berenice Abbott Photographs Mina Loy’s Assemblages.” PMLA 134.5 (October 2019): 1094-1103.

Ernst, Max. “Inspiration to Order.” This Quarter Surrealist Number, Guest Ed. André Breton 5.1 (September 1932): 79-85.

Federal Writers Project. New York City Guide; A Comprehensive Guide to the Give Boroughs of the Metropolis: Manhattahn, Brooklyn, the Bronx, Queens, and Richmond. New York: Random House, 1939.

Greenberg, Clement. “Towards a Newer Laocoon.” Partisan Review 7 (Fall 1940): 296-310.

—. “The Present Prospects of American Painting and Sculpture.” Horizon (October 1947): 20-29.

Guggenheim, Peggy, ed. Art of This Century. New York: Art Aid Corporation, 1942.

Hartigan, Lynda Roscoe. “Joseph Cornell, Le Chasseur d’Images.” Affron, Matthew and Sylvie Ramond. Joseph Cornell and Surrealism. Charlottesville: The Fralin Museum of Art at the University of VA, 2015. 74-83.

Hauptman, Jodi. “Sweepings.” Affron, Matthew and Sylvie Ramond. Joseph Cornell and Surrealism. Charlottesville: The Fralin Museum of Art at the University of VA, 2015. 84-103.

Heffernan, James. Museum of Words: The Poetics of Ekphrasis from Homer to Ashbery. Chicago: University of Chicago Press, 1993.

Herring, Terrell Scott. “Djuna Barnes and the Geriatric Avant-Garde.” PMLA 130.1 (January 2015): 69-91.

Januzzi, Marissa. “Bibliography: Published Works by Loy, In Order of Appearance, Including Artworks in Reproduction and Significant Posthumous Publications.” Mina Loy: Woman and Poet. Eds. Maeera Shreiber and Keith Tuma. Hanover: University Press of New England, 1998. 516-539.

Kachur, Lewis. Displaying the Marvelous: Marcel Duchamp, Salvador Dali, and Surrealist Exhibition Installations. Cambridge: MIT Press, 2001.

Kinnahan, Linda A. Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets. NY and London: Routledge, 2017.

Lazevnick, Ashley. “Impossible descriptions in Mina Loy and ConstantinBrancusi’s Golden Bird.” Word & Image (2013) 29.2: 192-202,

Lévêque-Claudet, Camille. “Joseph Cornell’s Music Box.” Affron, Matthew and Sylvie Ramond, Eds.  Joseph Cornell and Surrealism. Charlottesville: The Fralin Museum of Art at the University of VA, 2015. 135-149.

Levy, Ellen. Criminal Ingenuity: Moore, Cornell, Ashbery, and the Struggle Between the Arts. New York: Oxford UP, 2011.

Levy, Julien. Surrealism. Black Sun Press, 1936.

Loy, Mina. The Last Lunar Baedeker. ed. Roger L. Conover. Highlands, NC: The Jargon Society, 1982. Abbreviated LLB82.

—. The Lost Lunar Baedeker. ed. Roger L. Conover. NY: Farrar, Straus, Giroux, 1996. Abbreviated LLB96.

—. Stories and Essays of Mina Loy. ed. Sara Crangle. Champaign, Dublin, London: Dalkey Archive Press, 2011. Abbreviated SE.

—. Insel. ed. Elizabeth Arnold. Santa Rosa, CA: Black Sparrow Press, 1991. Reprinted with Introduction by Sarah Hayden. Brooklyn, London: Melville House, 2014.

—. Mina Loy Papers. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library. https://archives.yale.edu/repositories/11/resources/1681

—. Carolyn Burke Collection on Mina Loy and Lee Miller. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library. https://archives.yale.edu/repositories/11/resources/1801

Malraux, André. Museum Without Walls. Trans. Stuart Gilbert. New York: Pantheon Books, 1949.

Morris, Amy. ‘You should have disappeared years ago’ – the poetics of cultural disappearance in Mina Loy’s late poems.” Critical Quarterly 55.2 (July 2013): 81-104.

Perl, Jed. New Art City: Manhattan at Mid-Century. New York: Vintage, 2007.

Powell, Jim. “Basil Bunting and Mina Loy.” Chicago Review 37.1 (Winter 1990): 6-25.

Prescott, Tara. Poetic Salvage: Reading Mina Loy. Lewisburg: Bucknell UP, 2017.

Rexroth, Kenneth. “Les Lauriers Sont Coupés No. 2: Mina Loy,” Circle 1.4 (1944) 69-70.

Rosenbaum, Susan. “Exquisite Corpse: Surrealist Influence on the American Poetry Scene, 1920-1960.” Oxford Handbook of Modern and Contemporary American Poetry. Ed. Cary Nelson. Oxford UP: 2012. 268-300.

–. “Modernism: The Next Generation.” Blackwell Companion to Modernist Poetry. eds. Gail Macdonald and David Chinitz. Wiley-Blackwell 2014.

Sawin, Martica. Surrealism in Exile and the Beginning of the New York School. Cambridge: MIT Press, 1995.

Schaffner, Ingrid and Lisa Jacobs, eds. Julien Levy: Portrait of an Art Gallery. Cambridge: MIT Press, 1998.

Shreiber, Maeera “Divne Women, Fallen Angels: The Late Devotional Poetry of Mina Loy.” Mina Loy: Woman and Poet. Eds. Maeera Shreiber and Keith Tuma. Hanover: University Press of New England, 1998. 467-483.

Solomon, Deborah. Utopia Parkway: The Life and Work of Joseph Cornell. New York: Farrar, Straus & Giroux, 1997.

Tashjian, Dickram. A Boatload of Madmen: Surrealism and the American Avant-Garde, 1920-1950. NY: Thames and Hudson, 1995, 2001.

Tomkins, Calvin. Duchamp: A Biography. New York: Henry Holt, 1996.

Zalman, Sandra. Consuming Surrealism in American Culture: Dissident Modernism. New York: Routledge, 2015.

Zelazo, Suzanne. “Altered Observation of Modern Eyes: Mina Loy’s Collages, and Multisensual Aesthetics.” The Sense and Society. 4:1 (2009), 47-73. DOI: 10.2752/174589309X388564.


Sections in this chapter: