Adamowicz, Elza. Surrealist Collage in Text and Image: Dissecting the Exquisite Corpse. Cambridge: Cambridge UP, 1998.
Affron, Matthew and Sylvie Ramond, Eds. Joseph Cornell and Surrealism. Charlottesville: The Fralin Museum of Art at the University of VA, 2015.
Alfandary, Isabelle. “Becoming American, Becoming Agrammatical: Reading Stein with Deleuze.” Posman, Sara and Laura Luise Schultz, eds. Gertrude Stein in Europe: Reconfigurations Across Media, Disciplines, and Traditions. London: Bloomsbury Academic, 2017.
Arcq, Tere, Joanna Moorehead, Joanna, and Stefan Van Raay, eds. Surreal Friends: Leonora Carrington, Remedios Varo, Kati Horna. Published by Lund Humphries in association with Pallant House Gallery: 2010.
Arnold, Elizabeth. “Afterword.” Insel. Santa Rosa: Black Sparrow Press, 1991.
Archer-Shaw, Petrine. Negrophilia: Avant-Garde Paris and Black Culture in the 1920s. NY: Thames & Hudson, 2000.
Armstrong, Tim. “Loy and Cornell: Christian Science and the Destruction of the World.” Hobson, Suzanne, and Potter, Rachel, eds. The Salt Companion to Mina Loy. London: Salt Publishing, 2010. 204-220.
Ayers, David. “Mina Loy’s Insel and its Contexts.” Hobson, Suzanne, and Potter, Rachel, eds. The Salt Companion to Mina Loy. London: Salt Publishing, 2010. 221-247.
Baraka, Amiri. “Henry Dumas: Afro-Surreal Expressionist.” Henry Dumas issue of Black American Literature Forum 22.2 (Summer 1988): 164-166.
Barr, Alfred H., Jr. Fantastic Art, Dada, Surrealism. NY: Museum of Modern Art, 1936.
Bergmann-Loizeaux, Elizabeth. Twentieth-Century Poetry and the Visual Arts. Cambridge: Cambridge UP, 2009.
Bertrade Ngo-Ngijol Banoum, “Negritude.” Africana Age: African & African Diasporan Transformations in the Twentieth Century. Schomburg Center for Research in Black Culture, 2011. n.pag. Web. https://exhibitions.nypl.org/africanaage/essay-negritude.html
Bishop, Elizabeth. One Art: Letters of Elizabeth Bishop. Robert Giroux, Ed. NY: Farrar, Straus & Giroux, 2004.
Bonner, Virginia. “Beautiful Trash: Agnès Varda’s Les Glaneurs et la glaneuse.” Senses of Cinema 45 (November 2007). n.pag. Web. https://sensesofcinema.com/2007/feature-articles/glaneurs-et-glaneuse/
Breton, André. Manifestoes of Surrealism. Trans. Richard Seaver and Helen Lane. Ann Arbor: University of MI Press, 1969.
—. What is Surrealism? Selected Writings. Ed. and trans. Franklin Rosemont. NY: Pathfinder, 1978.
—. André Breton: Selections. Ed. Mark Polizzotti. University of CA Press, 2003.
—. “Surrealism: Yesterday, To-day and To-morrow.” This Quarter 5.1 (Sept. 1932): 7-44.
—. Mad Love. Trans. Mary Ann Caws. Lincoln: University of Nebraska, 1986.
—. Nadja. Trans. Richard Howard. NY: Grove Press, 1960.
Bronstein, Hilda. “Mina Loy’s Insel as Caustic Critique of the Surrealist Paradox.” HOW2 1.4 (September 2000). n.pag. Web. https://www.asu.edu/pipercwcenter/how2journal/archive/online_archive/v1_4_2000/current/readings/bronstein.html
Burke, Carolyn. Becoming Modern: The Life of Mina Loy. Berkeley: UCA Press, 1997.
—. “Loy-alism.” In Schaffner, Ingrid and Lisa Jacobs, eds. Julien Levy: Portrait of an Art Gallery. Cambridge: MIT Press, 1998. 60-79.
—. Carolyn Burke Collection on Mina Loy and Lee Miller. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library. https://archives.yale.edu/repositories/11/resources/1801
Burstein, Jessica. Cold Modernism: Literature, Fashion, Art. Pennsylvania State UP, 2012.
“Caricatures of African Americans: The Pickaninny.” History on the Net © 2000-2019, Salem Media. July 1, 2019. https://www.historyonthenet.com/authentichistory/diversity/african/3-coon/2-pickaninny/index.html
Caws, Mary Ann, Rudolf E. Kuenzli, and Gwen Raaberg, eds. Surrealism and Women. Cambridge: Mit Press, 1991.
Césaire, Suzanne. “Surrealism and Us.” Tropiques (no. 8-9, 1943); reprinted in Rosemont, Penelope, Ed. Surrealist Women: An International Anthology. Austin: University of TX Press, 1998. 133-137.
Chadwick, Whitney. Women Artists and the Surrealist Movement. Boston: Little, Brown, 1985.
Chisholm, Anne. Nancy Cunard: A Biography. New York: Knopf, 1979.
Churchill, Suzanne. The Little Magazine Others and the Renovation of Modern American Poetry. New York: Routledge, 2006.
Conover, Roger Lloyd. “Arthur Cravan.” 4 Dada Suicides: Selected Texts of Arthur Cravan, Jacques Rigaut, Julien Torma, Jacques Vaché. London: Atlas Press, 2005.
Crevel, René. “Which Way?” Little Review (Autumn-Winter 1923-4) 29-34; 29.
Crevel, René. “The Negro in the Brothel.” Trans. Samuel Beckett. Friedman, Alan Warren, Ed. Beckett in Black and Red: The Translations for Nancy Cunard’s Negro. University Press of KY, 2000. 69-73.
Cunard, Nancy, Ed. Negro: An Anthology. London: Wishart & Co., 1934. Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division, The New York Public Library. The New York Public Library Digital Collections. https://digitalcollections.nypl.org/items/294108d0-4abd-0134-e9a7-00505686a51c
Duchamp, Marcel. Notes and Projects for The Large Glass. Ed. Arturo Schwarz. New York: Harry N. Abrams, 1969.
Dunn, Susan. “Mina Loy, Fashion, and the Avant-Garde.” Maeera Shrieber and Keith Tuma, eds. Mina Loy: Woman and Poet. Hanover: University Press of New England, 1998. 443-456.
—. “Fashion Victims: Mina Loy’s Travesties” Stanford Humanities Review 1.1 (1999). n.pag. Web. https://web.stanford.edu/group/SHR/7-1/html/dunn.html
DuPlessis, Rachel Blau. Blue Studios: Poetry and its Cultural Work. University of AL, 2006.
Eburne, Jonathan. “Afrosurrealism as Counterculture of Modernity.” ISSS Conference, Bucknell University. November 1-4, 2018. n.pag. Web. https://surrealisms.sched.com/event/FM2e/5e-african-american-presence-in-surrealism-ted-joans-jayne-cortez
Edwards, Brent Hayes. The Practice of Diaspora: Literature, Translation and the Rise of Black Internationalism. Cambridge: Harvard University Press, 2003.
Ernst, Max. “Inspiration to Order.” This Quarter Surrealist Number, Guest Ed. André Breton 5.1 (September 1932): 79-85.
Flint, Lucy. “Alberto Giacometti: Woman with her Throat Cut (Femme égorgée).” The Solomon R. Gunnenheim Foundation, 2019. n.pag. Web. https://www.guggenheim.org/artwork/1424
Fort, Ilene Susan, and Tere Arcq, eds. In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States. Los Angeles: Los Angeles County Museum of Art; Munich: DelMonico/Prestel, 2012.
Friedman, Alan Warren, Ed. Beckett in Black and Red: The Translations for Nancy Cunard’s Negro. University Press of KY, 2000.
Gaedtke, Andrew. “From Transmissions of Madness to Machines of Writing: Mina Loy’s Insel as Clinical Fantasy.” Journal of Modern Literature 32.1 (2008): 143-162.
Gammel, Irene. Baroness Elsa: Gender, Dada, and Everyday Modernity–A Cultural Biography. Cambridge: MIT Press, 2002.
Genauer, Emily. “The Fur-Lined Museum,” Harper’s Magazine, July 1944.
Glavey, Brian. The Wallflower Avant-Garde: Modernism, Sexuality, and Queer Ekphrasis. Oxford: Oxford UP, 2015.
Goffin, Robert. “The Best Negro Jazz Orchestras,” trans. Samuel Beckett. Nancy Cunard, Ed. Negro: An Anthology. 181-183.
–. “Hot Jazz.” trans Samuel Beckett. Nancy Cunard, Ed. Negro: An Anthology. 238-239.
Goody, Alex. “Empire, Motherhood, and the Poetics of the Self in Mina Loy’s Anglo-Mongrels and the Rose.” Life Writing 6.1 (2009): 61-76.
Grossman, Wendy A. “Fashioning a Popular Reception,” Chapter 7 in Man Ray, African Art, and the Modernist Lens. International Arts and Artists, 2011.
Guigon, Emmanuel. “With Hidden Noise.” Matthew Affron and Sylvie Ramond, Eds. Joseph Cornell and Surrealism. Charlottesville: The Fralin Museum of Art at the University of VA, 2015. 48-57.
Halpern, Nick, Jane Hedley and Willard Spiegelman, eds. In the Frame: Women’s Ekphrastic Poetry from Marianne Moore to Susan Wheeler. Newark: University of Delaware Press, 2009.
Hayden, Sarah. Curious Disciplines: Mina Loy and Avant-Garde Artisthood. Albuquerque: University of New Mexico Press, 2018.
—. “Introduction.” Insel. Brooklyn, London: Melville House Publishing, 2014.
—. “‘Easily as an aria relayed across the Atlantic’: Surrealism in transit in Loy’s ‘Visitation of Insel.’” ISSS Conference. Bucknell University, November 1-4, 2018. n.pag. Web. https://surrealisms.sched.com/event/FLWO/2c-mina-loy-and-transatlantic-surrealism
Heffernan, James. Museum of Words: The Poetics of Ekphrasis from Homer to Ashbery. Chicago: University of Chicago Press, 1993.
Hobson, Suzanne, and Potter, Rachel, eds. The Salt Companion to Mina Loy. London: Salt Publishing, 2010.
Hobson, Suzanne. “Mina Loy’s ‘Conversion’ and the Profane Religion of her Poetry.” Suzanne Hobson, Suzanne and Rachel Potter, eds. The Salt Companion to Mina Loy. London: Salt Publishing, 2010. 248-265,
Hubert, Renée Riese. Magnifying Mirrors: Women, Surrealism, and Partnership. Lincoln: U of Nebraska P, 1994.
Huyssen, Andreas. After the Great Divide: Modernism, Mass Culture, Postmodernism. Bloomington: Indiana UP, 1987.
Jackson, Jeffrey H. Making Jazz French: Music and Modern Life in Interwar Paris. Durham: Duke UP, 2003.
Januzzi, Marissa. “Dada Through the Looking Glass, or: Mina Loy’s Objective.” Women in Dada: Essays on Sex, Gender, and Identity. Ed. Naomi Sawelson-Gorse. 1998. Cambridge: MIT P, 2001. 578-612.
—. “Bibliography: Published Works by Loy, In Order of Appearance, Including Artworks in Reproduction and Significant Posthumous Publications.” Mina Loy: Woman and Poet. Eds. Maeera Shreiber and Keith Tuma. Hanover: University Press of New England, 1998. 516-539.
Jarboe, Julian K. “The Racial Symbolism of the Topsy-Turvy Doll.” The Atlantic. November 20, 2015. https://www.theatlantic.com/technology/archive/2015/11/the-racial-symbolism-of-the-topsy-turvy-doll/416985/
Jones, Amelia. Irrational Modernism: A Neurasthenic History of New York Dada. Cambridge, MA: MIT Press, 2004.
Judovitz, Dalia. Drawing on Art: Duchamp & Company. Minneapolis: U of Minnesota P, 2010.
—. Unpacking Duchamp: Art in Transit. 1995. Berkeley: U of California P, 1998.
Kachur, Lewis. Displaying the Marvelous: Marcel Duchamp, Salvador Dali, and Surrealist Exhibition Installations. Cambridge: MIT Press, 2001.
Kinnahan, Linda A. Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets. NY and London: Routledge, 2017.
Koestenbaum, Wayne. Double-Talk: The Erotics of Male Literary Collaboration. New York: Routledge, 1989.
Lane, Jeremy F. Jazz and Machine-Age Imperialism: Music, “Race,” and Intellectuals in France, 1918-1945.
Lazevnick, Ashley. “Impossible descriptions in Mina Loy and Constantin Brancusi’s Golden Bird.” Word and Image 29.2 (2013) 192-202.
Levy, Julien. Surrealism. Black Sun Press, 1936.
Levy, Ellen. Criminal Ingenuity: Moore, Cornell, Ashbery, and the Struggle Between the Arts. New York: Oxford UP, 2011.
Loy, Mina. Lunar Baedecker. Paris: Contact, 1923. Abbreviated LB23.
—. Lunar Baedeker & Time-Tables. Highland, NC: Jonathan Williams, 1958. Abbreviated LBTT58.
—. The Last Lunar Baedeker. ed. Roger L. Conover. Highlands, NC: The Jargon Society, 1982. Abbreviated LLB82.
—. The Lost Lunar Baedeker. ed. Roger L. Conover. NY: Farrar, Straus, Giroux, 1996. Abbreviated LLB96.
—. Stories and Essays of Mina Loy. ed. Sara Crangle. Champaign, Dublin, London: Dalkey Archive Press, 2011. Abbreviated SE.
—. Insel. ed. Elizabeth Arnold. Santa Rosa, CA: Black Sparrow Press, 1991. Reprinted with Introduction by Sarah Hayden. Brooklyn, London: Melville House, 2014.
—. Mina Loy Papers. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library. https://archives.yale.edu/repositories/11/resources/1681
—. Carolyn Burke Collection on Mina Loy and Lee Miller. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library. https://archives.yale.edu/repositories/11/resources/1801
Lundquist, Sara. “Another Poet Among Painters: Barbara Guest with Grace Hartigan and Mary Abbott.” The Scene of My Selves: New Work on New York School Poets. Ed. Terence Diggory. Orono: National Poetry Foundation, 2001. 245-264.
Lusty, Natalya. Surrealism, Feminism, Psychoanalysis. Aldershot: Ashgate, 2007.
Lydenberg, Robin. “Engendering Collage: Collaboration and Desire in Dada and Surrealism.” Collage: Critical Views. Ed. Katherine Hoffman. Ann Arbor: University of MI Press, 1989. 271-286.
Mahon, Alyce. “La Feminité triomphante: Surrealism, Leonor Fini, and the Sphinx.” Dada/Surrealism 19 (2013): n. pag. Web. https://doi.org/10.17077/0084-9537.1274
Malraux, André. Museum Without Walls. Trans. Stuart Gilbert. New York: Pantheon Books, 1949.
Marcus, Jane. Hearts of Darkness: White Women Write Race. New Brunswick, NJ: Rutgers UP, 2004.
Matthews, J.H. Introduction to Surrealism. Pennsylvania State UP, 1965.
Menil, René. “Introduction to Légitime défense.” Richardson, Michael, Ed. Refusal of the Shadow: Surrealism and the Carribean. Trans. Krzysztof Fijałkowski and Michael Richardson. London, NY: Verso, 1996. 37-40.
Meynell, G.G. “Freud Translated: An Historical and Bibliographical Note.” Journal of the Royal Society of Medicine Volume 74 April 1981.
Michel, Jean-Claude. The Black Surrealists. NY: Peter Lang, 2000.
Miller, Cristanne. Cultures of Modernism: Marianne Moore, Mina Loy, and Else Lasker-Schüler. Ann Arbor: University of MI Press, 2007.
Miller, D. Scott. D. “AfroSurreal Manifesto.” San Francisco Bay Guardian (May 20, 2009). n.pag. Web. https://dscotmiller.blogspot.com/2009/05/afrosurreal.html
Miller, Tyrus. Late Modernism: Politics, Fiction, and the Arts Between the World Wars. Berkeley: University of CA Press, 1999.
Mitchell, W.J.T. Picture Theory. Chicago: University of Chicago Press, 1994.
Motherwell, Robert. The Dada Painters and Poets. Wittenborn, Schultz, 1951.
Moynagh, Maureen, Ed. Essays on Race and Empire: Nancy Cunard. Broadview Press, 2002.
Nadeau, Maurice. History of Surrealism. Trans. Richard Howard. Cambridge: Harvard UP, 1989.
North, Michael. Camera Works: Photography and the Twentieth-Century Word. Oxford: Oxford UP, 2005.
Oelze, Richard. Letter of 24 January 1937, from Richard Oelze to Alfred Barr. Registrar Exhibition Files, Exh. #55. The Museum of Modern Art Archives, NY.
Parmar, Sandeep. “Mina Loy’s ‘Colossus’ and the Myth of Arthur Cravan.” Jacket 34 (October 2007). n.pag. Web. https://jacketmagazine.com/34/parmar-loy.shtml
—. Reading Mina Loy’s Autobiographies: Myth of the Modern Woman. London: Bloomsbury, 2013.
Peppis, Paul. “Rewriting Sex: Mina Loy, Marie Stopes, and Sexology” Modernism/Modernity 9.4 (November 2002).
Pinkerton, Steve. Blasphemous Modernism: The 20th-Century Word Made Flesh. Oxford: Oxford UP. 2017.
Pochoda, Elizabeth. “What the Black Dolls Say” The Nation September 17, 2018. https://www.thenation.com/article/what-the-black-dolls-say/
Posman, Sara and Laura Luise Schultz, eds. Gertrude Stein in Europe: Reconfigurations Across Media, Disciplines, and Traditions. London: Bloomsbury Academic, 2017.
Prescott, Tara. Poetic Salvage: Reading Mina Loy. Lewisburg: Bucknell UP, 2017.
Rasula, Jed. Destruction Was My Beatrice: Dada and the Unmaking of the Twentieth Century. NY: Basic Books, 2015.
Ribemont-Dessaignes, George. “In Praise of Violence.” Little Review 1926 Surrealist Number. 40-1.
Richardson, Michael, Ed. Refusal of the Shadow: Surrealism and the Carribean. Trans. Krzysztof Fijałkowski and Michael Richardson. London, NY: Verso, 1996.
Riviere, Joan. “Womanliness as a Masquerade.” The International Journal of Psychoanalysis, 10 (1929) 303-313.
Rosement, Franklin and Robin Kelley, Eds. Black, Brown, and Beige: Surrealist Writings from Africa and the Diaspora. Austin: University of TX Press, 2009.
Rosemont, Penelope. Surrealist Women: An International Anthology. Austin: University of TX Press, 1998.
Rosenbaum, Susan. “Exquisite Corpse: Surrealist Influence on the American Poetry Scene, 1920-1960.” Oxford Handbook of Modern and Contemporary American Poetry. Ed. Cary Nelson. Oxford UP: 2012. 268-300.
—. “Brides Stripped Bare: Transformations of Surrealist Spectatorship in U.S. Women’s Collections.” Special issue of Dada/Surrealism, “Exhibitions and Display in Dada and Surrealism.” Ed. Kathryn Floyd. 21.1 (Fall 2017). n. pag. Web. https://doi.org/10.17077/0084-9537.1328
Sawelson-Gorse, Naomi, “Preface.” Women in Dada: Essays on Sex, Gender, and Identity. Naomi Sawelson-Gorse, Ed. 1998. Cambridge: MIT P, 2001. x-xviii.
Schaffner, Ingrid and Lisa Jacobs, eds. Julien Levy: Portrait of an Art Gallery. Cambridge: MIT Press, 1998.
Schaffner, Ingrid. “Alchemy of the Gallery.” Ingrid Schaffner and Lisa Jacobs, eds. Julien Levy: Portrait of an Art Gallery. Cambridge: MIT Press, 1998. p. 20-59.
Shack, William A. Harlem in Montmartre: A Paris Jazz Story Between the Great Wars. Berkeley: University of CA Press, 2001.
Shrieber, Maeera, and Keith Tuma, eds. Mina Loy: Woman and Poet. Hanover: University Press of New England, 1998.
Soby, James Thrall. Salvador Dali: Paintings, Drawings, Prints. NY: MoMA, 1941.
Stein, Gertrude. Geography and Plays. Boston: The Four Seas Co., 1922.
Tashjian, Dickram. A Boatload of Madmen: Surrealism and the American Avant-Garde, 1920-1950. NY: Thames and Hudson, 1995, 2001.
—. Skyscraper Primitives: Dada and the American Avant-Garde, 1910-1925. Middletown, CT: Wesleyan UP, 1975.
Tomkins, Calvin. Duchamp: A Biography. New York: Henry Holt, 1996.
Vetter, Lara. “Theories of Spiritual Evolution, Christian Science, and the ‘Cosmopolitan Jew’: Mina Loy and American Identity.” Journal of Modern Literature 31.1 (2007): 47-63.
Walter, Christina. “Getting Impersonal: Mina Loy’s Body Politics from ‘Feminist Manifesto’ to Insel.” Modern Fiction Studies 55.4 (Winter 2009): 663-92.
Ware, Katherine and Peter Barberie, Eds. Dreaming in Black and White: Photography at the Julien Levy Gallery. Philadelphia Museum of Art, 2006.
Wilks, Jennifer M. “Surrealist Dreams, Martinician Realities: The Negritude of Suzanne Cesaire” in Race, Gender, and Comparative Black Modernism. Baton Rouge: LSU Press, 2008.